Arch Street Tavern

Lonesome Preview: The 2014 Willie Nelson Birthday Bash

To say that Willie Nelson is a legend is a bit of an understatement.  Songwriter, performer, actor, activist, Nelson is a true American icon.  On Friday, May 9, nine CT musicians come together at Arch Street Tavern in Hartford to celebrate his music and one of his causes.  The 2014 Willie Nelson Birthday Bash is not only a celebration of the life and times of Nelson, but of his work with local, independent farmers.  Nelson, of course, is one of the founders of the Farm Aid franchise that’s raised millions of dollars to help independent farms stay afloat in the face of the dreaded factory farm system.  All proceeds on Friday night from The Willie Nelson Birthday Bash will benefit the Connecticut chapter of NOFA – the Northeast Organic Farmers Association.  Great music for a great cause indeed.  If you need any other reason to be there that night here’s nine of them:

Krizta Moon –  Phenomenal singer/songwriter from the burgeoning Northwest corner of CT.  Check out her cover of one of Willie’s dear friends…

 

Andy Wakeman – Wakeman is a young guy with an old soul and that’s reflected in his brand of country-infused folk.

 

Hannah Fair – One of the best young voices to come out of CT in a long time.  Hannah Fair has already performed at the CT Music Awards and done a Daytrotter Session and we’re not even positive she’s old enough to drink yet.

 

Frank Critelli & Mark Mirando –  Critelli and Mirando are CT music vets whose collaborations never get stale.  Critelli has a new album due out soon and advanced listens have been very, very promising.

 

The And Band – You fancy your country mixed with a little punk rock?  Then you’re in for a treat because these “cowpunks” are going to light up the stage.

 

Lys Guillorn Band – Her Winged Victory album was one of our favorites last year.  Now Lys Guillorn is hitting the stage with a full backing band and fresh off a killer performance at the Meriden Daffodil Festival.

 

The Backyard Committee – Big things are brewing for this band and for good reason.  In a state littered with some truly amazing alt country/Americana acts, The Backyard Committee are one of the best around.

 

Them Damn Hamiltons – Connecticut’s masters of the new American Gothic.  Their brand of Americana is a dark, noir brand of influences that coalesce into something rootsy yet ethereal.

 

Elison Jackson – Fresh off being nominated in multiple categories for this year’s CT Music Awards (including song of the year for “2009” which will be performed at The Bushnell on June 10), Elison Jackson cap the night off with an electrifying blend of what they have dubbed “stoner soul” and “Garage folk.”

 

 

Lonesome Interview: Them Damn Hamiltons

Lonesome Interview: Them Damn Hamiltons

By: Christopher Aloysius Mariotti

Editor’s note: Joining me for the interview were Dan Hamilton (guitar, mandolin, banjo, vocals), Jeff Chen (cello, mandolin), and Parker Hu (vocals, guitar). Missing were Mik Walker (bass) and Matt Futoma (percussion).

Good evening! It’s a great privilege to meet with you three. I’d like to begin with defining what Them Damn Hamiltons is. So many various adjectives have been used: dark, indie, gypsy, country, old Irish, even a little sea shanty. One thing in common, though, is folk. Do you appreciate the array of description? Or is there something specific you’re trying to create?

Dan: I think we’re often asked for our style, and what I think I prefer is the enigmatic answer. I also like letting people decide for themselves. Interesting music to me is something that doesn’t easily fall into one or two categories, and that’s what I shoot for when I’m writing songs. I say make the music and let people decide for themselves what they’d like to call us. It’s more fun that way, too.

Jeff: It’s really kind of hard to describe. We all have incredibly diverse backgrounds that we bring to the table, actually, that’s one of the best things about being a part of the Hamiltons. So while all those adjectives do apply, you’re absolutely right, we’re carrying on the folk tradition of getting together, playing music, sharing ideas, stories, and enjoying in the act of creating art.

Pertaining to the umbrella of folk, you are a finalist at this year’s Connecticut Music Awards, in the Best Folk/Traditional category. That’s a very strong genre in Connecticut, so a thousand congratulations! Have you already picked out your gowns?

Dan: We were thinking more along the lines of giant bear costumes. But I kid. Mostly. We’re just happy to be nominated. It’s a real honor to get such amazing feedback from our peers and we’re humbled to be included in such an esteemed event.

Parker: Ditto about the bear costumes. To be honest, we were all surprised to find out we were nominated, especially for that category. As pointed out in that first question, we have a hard time explaining what we play to people. I think ‘traditional’ is not something we expected to be described as. But as Dan said, we’re just honored and humbled to even have been considered in the CTMA’s. Going back to the costumes, we haven’t ruled out assless chaps.

Dan: For the record, we take the nomination very seriously. Ourselves, not so much.

Along those lines of group diversity when it comes to the band’s sound, it’s curious wondering how you five all got together. I say this with no disrespect, but if someone saw you walking down an alley together, she might say you are a motley crew! You are a very eclectic bunch.

Jeff: Well, I’d like to think that music has no barriers and that it doesn’t particularly matter that we’re not all cookie-cutter, so to speak. We’re all different, and we bring different influences and backgrounds to the table. And that definitely contributes to the overall Hamilton sound. Which is why we all consider ourselves Hamiltons at heart. And spirit. Well, that and Hamilton is a damn cool name.

Dan: We got together when the last group I played with – Earnest Hem’n’haw and the Shotgun Republic – recruited Matt, who kindly brought Jeff along. The band eventually dissolved and the three of us picked up where that left off. We soon realized we needed a proper singer and some bass. I had met Parker at an open mic in our hometown of New Milford, CT and while driving back from a rehearsal, one of her songs came on my iPod shuffle. I immediately called her up and, shockingly, she jumped on board! Mik joined soon afterward with a well-placed ad on the old band-maker, Craigslist. So a bit of luck and a lot of determination.

Jeff: It is kind of funny though, I don’t remember feeling like there was a “break-in” period, right? As cliche as it sounds, when we all started playing together as a group, the sound just took on a life of its own. It’s like all the pieces were meant to fall into place. I’ve honestly never felt as comfortable with another band as I do with the Hamiltons.

Dan: Same here. The pieces very much fell into place right away. That’s part of what makes this so effortless and fun.

Parker: I join in on this group hug also.

I want to hug you three right now myself. I’ve been in my share of bands over the years. It’s obvious you all have great love and respect for one another. Especially in a scene were quite a few bands have lost members for one reason or another.

Jeff: Well, we’ve all been in a couple of those ourselves. I think we’ve all been scarred in some way, shape, or form, so I guess that just makes us even more lucky that we get the chance to play together.

Dan: To be honest, I can’t imagine this band without anyone in it.

Parker: We do have a great deal of respect for each other, that I can say for sure. And we’ll be happy to give you a hug the next time we see you. We’ll even shower beforehand!

I accept, and I will certainly hug the fuck out of you all in return. Even the two members who arent here. Imagine the look on their faces at that moment. Now, your eponymous EP was released in 2012. Are you working on new music together right now?

Dan: We’re actually heading into the Carriage House to record our first full length record the weekend following the CMAs. And we cannot be more excited!

Parker: We have a lot more new material that we’re excited to finally record.

Jeff: We are always working on new music, actually. We have some very interesting ideas that we’re finally getting a chance to flesh out and the chance to get into the studio, and especially one as highly praised as Carriage House, is kind of a dream come true. It’s going to be very exciting for all of us, and we’re really happy to get a chance to give our friends, families, and fans something new to listen to.

Describe the writing process. How are your songs created within the group?

Dan: Most of the time, one of us starts with a rough idea of something they’ve been chewing on, and we all kind of woodshed it together at our rehearsals into a solid, manageable form. From there, usually, Parker or I decide who wants to tackle the words (or both!) and Poof! A TDH ‘baby’ is born. That said, the process is so fluid and organic, thanks to the crazy talent of these guys, that it’s a lot easier than it’s really ever been for me, as a songwriter. I feel like we’ve all got that “stand back and let a song do what it wants to” idea which really helps songs develop themselves. Plus, there’s no ego which helps things a TON.

Jeff: I feel like that this is a group where the writing credit really needs to go to everybody in the band. We are open to trying different ways of doing things, or creating a unique sound, and we constantly experiment with different instrumentation, and we just kind of let it grow organically into whatever it wants to be. Everybody kind of knows their “role” so to speak, so we try to leave space for everybody to do their thing. It’s kind of hard with so much virtuosity in the band. Sometimes, we have to remind ourselves that simple can be just as beautiful as complicated.

Being a fan of the EP, I’m beyond excited to hear what you have brewing! Let’s switch gears for a moment, and get into The Hamiltons live. On Friday night, you will be at Arch Street Tavern, in Hartford, performing at the Willie Nelson Birthday Bash. All proceeds are being donated to the Connecticut chapter of the Northeast Organic Farmer’s Association.

Dan: Can I say how happy I am to be playing for the farmers? I’m a huge fan of farming.

Parker: We were and are so thankful for a chance to be part of it!

Jeff: Oh yeah. CT NOFA is an awesome organization, and I’m extremely psyched to be doing stuff for them. More local foods!!

Parker: In case anyone will be looking for Mik that night, he unfortunately won’t be there as he is out of town. But we will have another English bass-playing doppelganger present as his stand in.

Are you allowed to say which Willie song you’ll be covering, or is it supposed to be a mystery?

Dan: We’ll be tackling “On the Road Again.” Being that we love minor keys, we tried it in a minor key but one of our significant others quickly set us straight.

Parker: Plus, the life we love IS making music with our friends

Jeff: I don’t know about the rest of you guys, but it’s a song that speaks pretty dear to how I feel about the Hamiltons.

Editor’s note: at this point, bassist Mik Walker joined the conversation

Mik, welcome! This question is directly for you: whose idea was it to let these three out unsupervised tonight?

Mik: Hi, Chris, and thanks for the welcome. It is an ongoing trial for me as the elder statesman of the band trying to keep the whippersnappers in tight rein. Some of them enjoy that kind of thing, others do not respond quite so positively.

Every band needs that influence. Godspeed to you on keeping these rascals tamed.

Dan: There a reason they call us Them Damn Hamiltons.

A couple weeks back, you performed at the Meriden Daffodil Festival. I was fortunate enough to see the performance, which was remarkable. But, how’d you have the energy to perform so early in the day? Rock stars are supposed to be night-creatures.

Mik: Thanks, it’s nice, if unusual, to be appreciated in that regard.

Dan: Thanks, Chris. We actually rehearse first thing on Saturday mornings so 11:30am was late for us!

Jeff: We are, surprisingly, morning people. Honestly, you should try early morning rehearsals. You get a surprising amount done on coffee and pretzels.

Dan: This is the most responsible band ever. We’re hours early for sound checks, we have spread sheets for band funds and merchandise, and everything is planned months in advance. It’s counter intuitive to our reckless rock star dreams (hah!) but hey, it seems to work.

Parker: Not to say that the expectation for bands is the opposite of that. It’s just that I had to start buying shirts with a calculator pocket after joining TDH.

Jeff: Honestly, we do it because there are so many unsung heroes in the music scene that go uncredited. Every sound guy, every booking agent, every person who gives their all, putting together all the incredible shows that we’ve been a part of deserve our best. So we like to be as organized as possible, come early to the venues, be respectful, and treat everybody the way we’d like to be treated.

Dan: Plus, we’ve all had experience playing with others and I’d like to think we’ve got a better handle on how to keep things stress and drama-free by now.

You know, I have had such a fun time tonight. I think your quirky personalities certainly contrast any darkness found in your songs. Which is excellent. But one last thing: Them Damn Hamilkittens. Will there be a graphic novel? The world needs this.

Dan: In a word: yes.

Jeff: Oh, I think so. If you’re at all curious, we do invite you to join our Them Damn Hamiltons mailing list. We have newsletters!

Newsletter, maybe a graphic novel, and definitely a new record. Them Damn Hamiltons: thank you for your time tonight! Looking forward to the show Friday. Cheers!

 

Please visit Them Damn Hamiltons on their Facebook page. They assure me you’ll be welcomed properly. Maybe with assless chaps.

1974 Teaser Video: Ultimatum (Updated)

1974 Teaser Video: Ultimatum

By: Christopher Aloysius Mariotti

On Saturday, April 26, Hartford prog-kings 1974 will premier the video for their song “Ultimatum” at Arch Street Tavern. It’s the first such release from their highly acclaimed 2013 release 1974 & The Death of the Herald. The show, presented by Black Lodge Industries, will also showcase Little Ugly, who most recently won Best Connecticut Band at the New England Music Awards (and who, incidentally, will be filming a live video shoot of their own). Also appearing is Whitney Bobby, spinning between sets.

On Sunday morning, at 12:01am, you will be able to watch the video in-full exclusively at Lonesome Noise for the entire day. In the meantime, we present the teaser video to whet your aural palettes! The video was directed by Joe Arthur.

Click here to see the Video Teaser.

For more information about Saturday’s show, please follow this link.

Lonesome Interview: Rachel Cabaniol and Karl Messerschmidt of Post-Modern Panic

PMP

By: Christopher Aloysius Mariotti

Rachel and Karl, thank you for joining me this evening!

Rachel: thank you for having us

This Friday, the 18th, you are playing at Arch Street Tavern (supported by If Not For Dreaming and DJ CAJAR). But this is a special show: you are premiering your video for the song “Bless These City Streets.” What was it like to film an actual video? Long, laborious? Or did you feel like the rock stars you’ve grown up admiring?

Karl: Being a rock star IS long and laborious, so I would say both.

Rachel: It wasn’t long and laborious at all, we got in there in one afternoon/evening, and Dave (Sikora – Director) was so professional and had mapped out every shot for the most part. Karl was kept later than everyone and the rest of the crew had been let go at that point, so there were parts of the video that were a surprise to us. The whole thing was exciting and ran smoothly. I would have felt like a rock star if I had a hair and makeup team, I was reapplying every 30 minutes, that was the only laborious part!

Karl: But in the mean time, I’ll add that it’s mainly just a lot of repetition. It’s a little torturous (for me at any rate) having to mime and not being able to actually play. By the end of the day, you’re digging down really deep to put 110% into every take, just like you’d do in the recording studio. It’s not that different.

Rachel: He messed up his knee and shoulder rocking out.

Well, it IS common knowledge that no one rocks out quite like Karl, even when miming a song.

Karl: Yeah, I walked away with like five injuries that day. I also impaled my hand on the corner of my pedal board and… I actually forgot the other two. But they all hurt.

Rachel: Tim (Bojanowski – drummer) gave blood for the album, Karl gave blood for the video.

How did you choose Dave Sikora to direct? And was the video his concept, or a collaborative effort?

Rachel: Dave is a long time friend of Tim’s, and we have seen his work and love him. We had been in discussions to do a video for the longest time, and while we are working on material for our next project, it felt like the perfect time to actually get in and do a video. We had gone back and forth between several songs, he had concepts for a couple (all his concepts), but “Bless” was the first song we had written and we felt it deserved a video.

Karl: Yeah, we kind of wanted a performance concept for our first video, kind of show the world how we look on stage before we get into anything weird. We shot at Charter Oak Cultural Center, which really fit the song well being the oldest synagogue in Connecticut. It’s a really nice space and they were really great about letting us use it.

Rachel: When we asked Dave what he envisioned for a performance video, he asked Karl to let him into the space ahead of time, and he played the song on headphones and walked around and got an idea for what he wanted to do. He loves “trippy videos” and while it’s a bit toned down, you can definitely see the Dave Sikora touch in the second half of the song. He played a lot with lights. It’s beautiful.

I was fortunate enough to be there for a bit of your recording. And I agree, the space is breathtaking. Now, to step back a moment, Your latest record, Lost in the Patterns, came out last summer. And it was wildly successful throughout 2013. Is there a reason it took until now to release a video?

Rachel: We’ve being playing shows, getting our footing, deciding what’s next. We have most of our material written for our next project, but we wanted to give fans/friends/family something epic to tie them over until we release more music.

Speaking of those new songs, can you comment on a new record? Anything in the works?

Rachel: Keeping it spoiler free….

Karl: I don’t want to reveal EVERYTHING about it yet – gotta leave room for surprise…

Sassy!

Karl: …but, we’re probably looking for this summer for recording. We’ve been writing everything for quite a while now.

Rachel: We’ve had a few of the songs in our set for a while now, dating back to the release party for Lost in the Patterns, and we’re adding more soon. I can honestly say that the new stuff that’s coming out is some of my favorite work we’ve done, and I don’t say that lightly because I honestly love everything we did on Lost in the Patterns.

You recently performed on WECS Radio, here in Connecticut. What is that experience like as opposed to playing as a full band in front of adoring fans and strangers alike?

Rachel: There is a different energy to performing with a full band, and performing in a smaller intimate setting. I like both for different reasons. On stage with a band, there is this level of performance that accompanies the music. The energy is bigger, and we all feed off of each other’s performances. The whole band adds another level, it makes the songs bigger, it makes the performance bigger. In a smaller setting with just Karl and myself, it was intimate and simple, I could focus more on my voice, the song, and accompanying Karl playing so beautifully on an acoustic. It is closer to the feeling I get when we are writing together.

Karl: And from a guitarist’s perspective, it’s of course very different playing as the entire band versus being one element of it. I try to adapt my parts to the situation rather than play my electric parts on acoustic – a lot of them are tailored to the sound of the full band and fall flat when it’s not there.

Rachel: And Mark E. Ramone was wonderful too, my dad was listening and said we seemed so real, and that was wonderful.

More than maybe anyone else in the scene, you two seem to get absolutely lost in the performance when in front of an audience. Is the writing process similar, or is that just a means to an end (i.e. the performance)?

Rachel: Before the band became the band and we were just messing around in a garage, Karl and I were hanging out just as friends and he was teaching me about music. The way our stage show has progressed over time mirrors the way our relationship has progressed. I had to get comfortable sharing my life stories with three guys, I had to especially get comfortable sharing those stories with Karl. At first when we began writing together, I was quiet and reserved, then as we began dating, eventually got married, it became me waking him up at 3am with a melody. There is a lot of passion involved in the writing, even more so when you get to show the finished product of that passion with a room full of people. It’s like “hey, me and my husband starting this song, and my friends are helping make it even louder and more powerful.” It is so energizing and amazing. It’s even more amazing having my best friend performing next to me, and he is such a ball of fire on stage and it inspires me to perform even bigger.

Karl: I’ll also point out that as time has gone on and Rachel has learned more and more about guitars and music in general, she’s been more and more the real mastermind behind most of the tunes. She wrote the four note guitar motif in “Bless These City Streets,” she wrote about half the guitar parts for “Trappings of Memory and a Broken Boy,” and all the parts for “Complex,” which is on the next album. There are a bunch more in the tank that she either wrote directly with a guitar in her hand or indirectly by guiding me to the specific parts she was hearing. Then we work together on assembling it all start to finish.

Rachel: The band (with Bojanowski on drums, and Mike Polce on bass) molds it together, and Karl really turns parts into a composition. He’s so darn supportive, it makes me want to write.

I can see how you must be excited about the next phase, with this creative progression you are going through together.

Karl: I’ve found I have an easier time writing when I’m fed a phrase or an idea to compose around, it’s like a challenge. I respond to that way better than trying to make an idea appear out of thin air.

I want to talk a moment about influences, especially with Rachel taking more of a role in the songwriting. Whereas most musicians scorn or mock it, you’re both quite unapologetic about your love of modern pop music. What is it about the Lady Gaga’s and the Katy Perry’s that get you going? And have those influences made their way into the new material?

Rachel: There is nothing wrong with pop music. It’s not my only influence, but it does influence me some. I listen to a lot of everything. I have American Idiot: the Original Broadway Cast Recording and Beyonce blasting in my car right now. Pop music is fantastic for cardio too! I think you won’t see a direct influence in future music, but lyrically I do touch a bit on sex in the next album and that is very much from my Katy Perry, Prince, and Gaga listening days. I’ve also been listening to Flyleaf, and Eric Clapton, and Sonic Youth, so there is no end to the variety of influences I listen to on a daily basis. I think that level of variety really shows. I just love anything with a good beat! Or, a beautiful or tragic melody.

Karl: I’ll start by confessing I was once really closed-minded to the genre, and there are still some things about it that still bother me – music to me has always been at its best when you put a bunch of great musicians in a room and let them do their thing. When you get that going on, you have not just the music on paper going on, but all this stuff that happens between the notes that I really find to be the most fun and interesting part of music. Pop music, in its need to achieve this sort of hyper-realistic perfection, robbed me of that part, and I think that’s why I had such a hard time tuning in and getting to know it. But just like any other genre, it just took practice and experience for me to get into it. I went through this with everything I used to hate: rap, EDM, country, serialism – I learned over time to appreciate it all in its own way. For me, pop was kind of a final frontier of music rather than an entry point, and I’ve learned to genuinely love and draw inspiration from Beyonce, Gaga, Carly Rae Jepsen, Miley, Lorde – especially Lorde. A lot of musicians take the stance that those artists and that music is not to be taken seriously because it’s too simple or too homogenous, but I really believe that’s a matter of degree of experience. The more I listen, the more I find a great level of complexity in it, although not always in the places we’ve been trained to look.

I’m a fan of retro-pop, or what the kids might call “the 80s” – I find many melodies to be infectious, as well as most of the beats. It was the true Golden Age of Pop. But I’m glad to see that the current genre is finding a certain appreciation.

Rachel: the 80s brought us Madonna, Prince and Wham. Great music!

Karl: See, I have a much easier time with the most modern pop than with the 80s. Prince will always be one of my absolute all-time favorites, and Madonna was great at the time, but I honestly never cared for most mainstream music from that decade, whereas I love the more underground music of the era – The Pixies, The Smiths, REM, etc. And yet now I tend to prefer mainstream to most of the underground stuff that’s currently out.

Before we end, I do want to mention the Connecticut Music Awards. You have a few nominations: Best Album (Lost in the Patterns), Best Song (“Bless These City Streets”), Best Rock Band, and Best Overall Band. What would a win in any category mean to you?

Rachel: A win won’t change our current momentum because we are gearing up to push a little harder, but it will make us feel really warm and fuzzy inside. Just getting nods makes us feel appreciated and knowing we are up against some of the best does too.

Karl: I’m not gonna lie, acknowledgement for all your efforts is a really, really awesome feeling. So yeah, it would certainly mean a lot to us. But at the end of the day, it’s all about getting up on stage and doing what we do.

Very good! And might I say, the acknowledgement is well-deserved. I’m looking very forward to seeing your set on Friday night! Thank you both for taking the time to chat it up with me this fine evening.

Karl: Any time!

Rachel: Thank you for staying up and accommodating our crazy schedules. We are amped for Friday!

Hey, we all make sacrifices for our art! In the meantime, to those reading at home, make it out to this show. Post-Modern Panic never disappoints live. And keep watching for their brand new video, “Bless These City Streets,” which we will be premiering exclusively at lonesomenoise.com, and which will be shown live to the public at Arch Street Tavern Friday evening!

 

1974 Teaser Video: Ultimatum

By: Christopher Aloysius Mariotti

Our dear friends over at 1974, in promotion of their epic record 1974 & The Death of the Herald, made a music video! There are two ways you can see this sonofagun:

1. Attend their Music Video Premier at Arch Street Tavern on April 26
2. Visit Lonesome Noise on April 27 starting at 9am

We are very honored to announce we will be showing the video exclusively for those of you poor souls unable to attend the premier. And what about that premier? Well, it’s going to be a night of unbridled Awesome. Not only will 1974 premier their video, they will also be taking the stage to perform what is promised to be a monumental set of energy and delicious sounds. Additionally, they will be joined by Little Ugly (recent winners of Best Band in Connecticut at the New England Music Awards), who themselves will be recording a live video!

Seriously, mark your calendars. This is going to be one for the ages. More details on the event to follow.

In the meantime, you can see the teaser video for 1974’s “Ultimatum” right here, courtesy of Joseph M. Arthur Photography.

Lonesome Noise/Live & Local Exclusive – Tetramer @ Arch Street Tavern

By: Chip McCabe

Part of what we are going to be doing here at Lonesome Noise will be video…lots of video.  As host and producer of Live & Local and Chip’s Unnamed Local Band Show I have a lot of exclusive footage that we’ll be showing here over time.  First up is footage of Hartford’s Tetramer performing a few songs at a Live & Local show we hosted at Arch Street Tavern.  Tetramer was recently named one of my Top 50 albums of 2013.  Now you get to check out how well they translate to the live stage.  Enjoy!

Lonesome Interview: Michael Day from Little Ugly

An Interview with Michael Day from Little Ugly

By: Christopher Aloysius Mariotti

Mr Michael Day, thank you for joining me this fine evening. How’s tricks?

Excellent! Couldn’t be better! Thanks so much for having me.

The pleasure is mine. I’ve been a fan even pre-beard.

And you still stuck around. That’s amazing.

YOU are amazing.
So, I have a million things I want to touch on, but let’s start with that most dear to you right now: Little Ugly has a song called “Sunrise,” which is downloadable on your Bandcamp page. All proceeds are being donated to Bring Elliott Home. Please talk a little about this.

Yeah, it’s a pretty amazing thing to be a part of. Kaia (Pazdersky – vocalist/multi-instrumentalist) works at West Hartford Yoga, and a co-worker/dear friend of hers is currently trying to complete her THIRD adoption. She has two beautiful sons who happen to have Down Syndrome. She is now attempting to adopt a third from Bulgaria and time is of the essence. She has a Go Fund Me page that is doing very well, and we were so touched by her story that we wanted to help in any way we could. She had mentioned in the past that she loved “Sunrise,” so we thought this was the best way we could do our part to Bring Elliott Home.

I think that’s fantastic. I’m a big advocate of adoption. If I’m not mistaken, Elliott also has Down Syndrome?

Yes he does, and in Bulgaria, abandoned and orphaned children are cared for in children’s homes until they are 3 or 4. Most kids are then sent to orphanages, but children with Down Syndrome or other disabilities are put into institutions where they receive little care and stimulation and typically die within a few years. Elliott turns 3 in January, so Nykki is racing the clock.

For those reading and are interested in more information on this, there are links to the bottom of this interview for both the Go Fund Me page and Little Ugly’s song, “Sunrise.” Mike, thanks for bringing this to our attention.

Thank you for giving us a platform to do so!

Anytime.
Now, Little Ugly is looking for a new bass player. Give me a quick synopsis of what kind of bassist you want in the band, besides one who isn’t creepy.

Haha! If we are talking permanent member, then we are looking for someone with passion. We love to rehearse, write, perform, and do anything involved with music and the scene. We want someone who feels the same way and can match our energy and work ethic. We’ve always had upright players, but now, as our sound grows and we head in new directions, we are very open to having an electric player. Someone who can play both is definitely preferred but not a must. They also have to be a fan of the music. You would think that’s obvious but it has to be said. We don’t want someone just looking to gig. Sure it’s fun, but behind the scenes is where the work is done.

By behind the scenes, can you confirm this includes sleepovers and pillow fights?

Uhhhh duh! Pizza parties and onesies are a must!

Nick (Dickinson – drummer) seems like the type to steal all the blankets. What the fuck is it with drummers? He even does a solo at your live shows.

I could see how he gives that impression, but he’s actually the Bear Grylls of the group. Dude doesn’t need a blanket if he’s got matches and a dixie cup!

Do you think he would rub his last two drum sticks together if it meant keeping the rest of the band warm?

Man that’s tough. I’m not sure I would let him. I need him to have two sticks in his hands at all times. I’m also terrified for when he reads this now. Haha!

See, I mention that because you three are very tightly knit. It’s very familial. I think it would take a special bassist to come into this group. Furthermore, a very lucky one. You guys are award-winning!

Thanks man. And yes, we are a family. It’s been a LOOOOOONG journey and everything we’ve been through has really made us respect and love one another.

That long journey led to Where The River’s Born, which was released in July. It’s one of my favorite releases of 2013. How did Kaia integrate herself into the writing process?

That means a lot coming from you. I’ve been following you since Lonesome, On’ry, and Mean hit Facebook. I love your taste!

Kaia was brilliant with how she became a part of the group. She played it cool, acting like she was fine just being in the background. We played one show with her and Nick immediately said, “She’s in the band.” I completely agreed. Eventually, she showed me a song she was working on, and I couldn’t believe what I was listening to. It was an early version of “Til The Earth Stops Shaking.” She had elements of all my favorite songwriters in her song. I was so excited that we immediately began writing together and haven’t stopped since. We have grown to complete each other’s musical thoughts. It’s really exciting.

Right on. I appreciate the LO&M shout-out. It certainly had its moments!

Back to Kaia: It’s a very special thing to find that perfect collaborator. You two do great work on this record, and I’m in dire anticipation of what’s to come.

You know, I try and figure out your influences when I listen to your music. I personally hear some Damien Rice. I know we both share an affection for Daniel Johns. I think fifty years from now, people will look back at his transformation from teenage-cum-Cobain to mature, brilliant songwriter. What’s his influence on you?

With Johns, it’s all about “moments.” He has these moments in his songs that leave me breathless. It could be a vocal melody or a line in the string section, but when I hear them, I just have to sit there in awe of his musicianship. I always want to say his vocals are a big influence on mine, but that would be kidding myself. I’d kill to sing like him. But the orchestration in his songs definitely find their way into what I hear in my head when writing for Little Ugly. The only problem is we don’t have an orchestra. For now….

Well, he hired Van Dyke Parks to work on his records, starting with Neon Ballroom, if I’m not mistaken. Why don’t you make a few calls, see if he’s available? I’m sure he’d be a big fan.

Haha! You think I haven’t tried!

You are award-winning. Use that to your advantage! Or make Nick show some leg.

Actually, that’s why we chose the producer we worked with: Samuel Marshall.

He did a wonderful job on this. The sound is an improvement over its predecessor.

He’s a Berklee grad in composition and works at Sony PlayStation. He and I were in a band together a lifetime ago, and his arranging is just brilliant. He knows what direction we want to go in and is able to help us get there.

And yes it’s a HUGE improvement over our “first” EP… that doesn’t technically exist….

Quick Digression: If I were to host a Lifetime Network Holiday Movie Marathon one day soon, would you attend?

I would attend a colonoscopy if you were there.

Gross. But kind of awesome. Thank you.
I’d actually plan it for this Saturday, but I believe you have a show in Westerly?

Yes we do, at our home away from home. The only place we would call home that’s not in Hartford. Westerly, RI’s Perks & Corks.

I’m sure it will be a stellar event. Little Ugly always puts on brilliant, energetic shows.

We try. Gotta give it 100% every time. Otherwise what’s the point?!

Amen.
I want to thank you for taking the time out of your night to chat with me. You are a Prince among people who are less than Princes.

No, young squire. Thank you.